This is the practice describing the secret brain-development technology used by the ancient Egyptian civilization thousands of years ago. It is part of my Third Eye Opening course - here.
However, I have made it available as a separate practice so that those who cannot complete my entire course can benefit from it, since the practice is excellent in its own right. And I would really like it to become more accessible to you...
Thank you for the new product and for addressing such an interesting topic. I have long been interested in the question of the Egyptian crowns. I always knew they were an esoteric tool. I even wanted to write to you to ask whether you knew the exact proportions, so that I could recreate one and try working with ankhs while wearing it. And then this surprise... I would like to share some of my conclusions, since I have also studied this subject: the crown you propose recreating, called the Hedjet, is associated with the descending flow, as it is always depicted in white and is considered the crown of Upper Egypt (the upper part, the descending flow). Its symbol is the goddess Nekhbet, with the head of a vulture (a creature possessing excellent eyesight), depicted above the pharaoh's head. The other part of the crown, the Deshret, resembles a throne with an elongated back and a strange curl; it is always depicted in red and is considered the crown of Lower Egypt (the lower part, the color of the base chakra). Its symbol is the goddess Wadjet (the cobra, kundalini). You have selected only the white crown for separate work with the brain, but what do you think: does the combined (full) crown work with the descending flow and kundalini, or does it bring down the upper flow and help the entire chakra system assimilate it all the way down to the base chakra? And is the rounded knob/finial (I do not know the correct name for it) at the end of the crown important? Surely it configures the energy in some special way; it cannot be there for no reason. It also seems to me that the angles of inclination of these two crowns are important (for example, in Kriya Yoga it is believed that there are three main descending channels, one of which, the most important, runs at an angle of 30 degrees—where the hair curls at the back of the head).
You singled out only the white crown for working with the brain separately, but what do you think: does the combined (full) crown work with the descending flow and kundalini, or does it bring down the upper flow and help the entire chakra system assimilate it all the way down to the base chakra? And is the rounded lump/knob (I don't know what to call it correctly) at the end of the crown important? Surely it configures the energy in some special way; it can't be there for no reason. It also seems to me that the angles of inclination of these two crowns are important (for example, in Kriya Yoga it is believed that there are three main descending channels, one of which—the most important—runs at an angle of 30 degrees, where the hair curls at the back of the head).
To delve into the finer points, a more serious approach is needed. And that isn't for everyone. I provided a simplified, practical version that anyone can use.
A serious approach is when, quite literally, That, Set, Ra, and so on come to the priest. And the energetic environment on Earth is more or less pure... Things aren't simple right now. It is a different time.
The finer points can be omitted. Keep the principle. Even that alone can produce great results for many people.
I made the crown the very day I purchased the product. After reading the material during the day while at work, I quickly formed an image of how I would make it. When I got home in the evening, I began working my magic.
After the renovation, I had some one-meter-long vinyl wallpaper left. I cut about a meter from the roll, folded it in half, then wrapped the sheet....., and after that it was just a matter of technique. I won't describe the rest, as that would mean revealing the entire material. In general, what surprised me was how easily I did all this, as though I had been doing it all my life and already knew the manufacturing process. All in all, it took about half an hour.
Once the process was complete, I couldn't wait to put this miracle on.
I sat down in an armchair, put on the crown, and then I flew off. My subtle bodies responded instantly; I began swaying from side to side, my ears started ringing—it really felt like an initiation.
For five days, I carried out these meditations every evening. My state began to change after the very first time: I became very calm and, at the same time, very observant, as if I were seeing the world anew and studying it all over again. It was interesting to observe this state from the outside. Then the cleansing began, so I have put these meditations aside for now.
I can say unequivocally that this is a magical little thing, and it definitely isn't of this world!
Om Shanti, thank you!
Greetings!
Could you explain how the Armor of God works, or point me to a description of it?
We have foil worn on our limbs, and it looks like a closed circuit.
But how it all works overall is unclear.
I'm just very curious.
Greetings!
Could you explain how the Armor of God works, or tell me where I can find a description?
We have foil worn on our limbs, and it resembles a closed circuit.
But it is unclear how everything works overall.
I’m simply very interested.
One of the principles behind its operation is concentration and densification of the aura. For example, this helps strengthen health and counteract external energetic forces. The energy is also balanced. The sphere on the head concentrates energy in the Third Eye. The pituitary gland develops.
A person becomes energetically stronger.
Greetings!
Could you explain how the Armor of God works, or tell me where I can find a description?
We have foil worn on our limbs, and it resembles a closed circuit.
But it is unclear how everything works overall.
I’m simply very interested.
Good afternoon. Does the upper part of the device—the roof—matter? And if I omit it entirely and leave it open, will the effect be better? By analogy with the “Himalayas” device.
I also have a question. If I understood correctly, should it be combined with the Armor of God for a greater effect, or is that optional?
And can it be used in everyday life, for example throughout the day—the longer, the better?
555555, you should follow the material. There are many ways to make it.
This is a separate practice from the Armor of God. But they can be combined if desired.
Try 10–30 minutes and observe yourself. Then increase the duration.
Веретенников Сергей, thank you very much for this practice.
I agree with what you wrote here and earlier in this thread: when I put it on, I felt connected to some kind of mystery.
I have good experience with the Armor of God and am currently practicing with the Himalayas, but this practice really is something special.
I made it and put it on for the first time today, and even after taking it off I still feel calm and an absence of inner dialogue—in other words, a change in brain rhythms.
Веретенников Сергей, electrostatics is very interesting. I started studying Mishin, but only just started and then stopped; apparently, it’s time to study it seriously.
The author of the video is generally steeped in the idea of “atmospheric electricity” and selects highly diverse material to support this concept. The only thing that bothers me is that the electric charge in the video is measured in kA rather than coulombs—and that bothers me a lot.
Mishin studies, experiments, and creates. There also seems to be someone named Ragel who cured himself with electrostatics. All of this resonates quite strongly with the brain transformer.
I should recall this: I once knew the electrostatics of oil and petroleum products fairly well (though it was a long time ago)—these properties are also used to select pipe diameters, pumping pressures, loading and unloading rates, and much more.
I started using the Transformer with elements from the God's Armor practice. Since the channels in my arms and legs became more concentrated and aligned, the Transformer began working much more powerfully. Yesterday I managed to remain in the Transformer for about four hours; throughout the practice, I clearly felt the Sahasrara chakra working. The effect I described above lasted much longer afterward as well, and after the practice I was able to remain fairly easily at the level of mind control available to me: by directing my attention—and, most importantly, by becoming aware of the very fact of the inner dialogue—I could stop the dialogue, remain in silence, and return to silence while moving.
I can conclude that this practice gives me a sense of greater energetic wholeness.
I realize that I cannot even imagine what state the brain might transform into, or what possibilities it might acquire, through this practice. Very interesting.
I also have the thought that we already have a sufficient reserve of energy to develop and transform, but we humans do not allow this process to take place, dissipating our energy.
As soon as I began using the practice, I felt its effect immediately. The sensations were the same as those described by others: a feeling of the head being squeezed by a hoop, silence in the mind, a greater sense of inner wholeness, greater protection, and no desire to end the practice at all.
But what impressed me most was something else: after using it just once, I had completely different dreams that night. It was as if you first watched a film from the poor Soviet period of the 1990s, where everything is greenish-brown, the actors walk and talk listlessly, and dirty stairwells and poverty are shown
although I really like films from that period, and all our actors are good )
; and then you were suddenly shown a modern foreign film with HD graphics and special effects, a convoluted plot, crazy dynamism, and beautiful actors against Mediterranean landscapes.
After the second day of using it and the second night of unusual dreams, I didn’t have time to do the practice on the third day and ... the old dreams returned. The change was striking. In the morning, I just wanted to say: “Give me my normal dreams back—without them, everything is drab!”
In the context of the publication of a book on dream interpretation, interpreting these new, colorful dreams and reflecting on them throughout the day made my everyday reality different. Dreams become part of the waking period, and reality becomes somehow more all-encompassing, enriched with colors and emotions.
A very unusual experience!
I combined this practice with ankhs.
After the practice, I became very interested in different types of headwear.
One medieval headpiece particularly caught my interest.
The capirote! It is a huge conical cap.
The Inquisition used it as headwear for criminals who had violated sacred statutes.
Some monastic orders also wore it, with the face covered.
The Ku Klux Klan can also be mentioned here, as it borrowed the capirote from more ancient traditions.
The elongated cap was quite often an attribute in fairy tales.
Sorcerers, witches, wizards, and stargazers wore it.
