Shirdi Sai Baba. Continued

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Many years ago, I spoke about a real Miracle taking place right before your eyes.
All these years. Since 2017, when I told you about it.

Were you not interested?

Perhaps this Miracle will interest you now: Your Yoga. Shirdi Sai Baba’s New Miracle

So, the Miracle has not only been happening right before our eyes for many years—it has not stopped.

People are literally flowing toward Shirdi Sai Baba in a steady stream!

It already has several million views.

And it is only growing stronger!

But I am not going to talk about that now.

I want to talk about another photograph.

A very special one...

When I saw it personally, I thought I was looking straight into an ocean of compassion and love.

The story of the photograph begins around 1915. A photographer came to Shirdi and photographed Sai Baba without permission. Baba was displeased. A few days later, the photographer returned with the finished photograph and gave it to Sai Baba.

Then the most interesting thing happened. Sai Baba gave the photograph to Professor Ganpatrao Narke and, according to his account, said something approximately to this effect:
whoever has this photograph will be able to overcome their troubles.
In the original, the expression “Beda Paar Ho Gayega” is given—literally, something like “cross over the difficulty” or “the difficulties will be overcome.”

Another devotee, Rumalwala Baba, was nearby and very much wanted to obtain such a photograph. He went to lunch, but was so upset that he could barely eat. When he took money from his pocket to pay, this very photograph of Sai Baba unexpectedly fell out of his pocket along with the coins. This is described as one of his lilas—divine plays. Rumalwala Baba wept with joy, pressed the photograph to his heart, and told those around him that he had received a “divine photograph.”

After that, it passed from one devotee to another: from Rumalwala Baba to Shri Pathakji, and then to other followers. People framed it, carried it with them, worshipped it, and lit lamps and incense before it. The tradition was preserved that whoever revered this image would receive protection and help in times of difficulty.

But that is not all!

I was personally shocked when I learned what happened next...
It was very touching, as though—and indeed it was—Baba was playing with his devotees.

The author’s mother read the Gujarati book “Sai Sarovar” and learned the story of this photograph. She very much wanted to find it. Together with a friend, she began going from house to house among Sai Baba’s elderly devotees, asking people questions and searching for the photograph. But they could not find it...

Exhausted and worn out, they stopped searching.

Then an almost comical yet simultaneously symbolic fact came to light: the photograph had been inside the book “Sai Sarovar” all along—on the first page. The very book that had always been with them!!!!!!!

For several months, they read the book and searched for the photograph somewhere in the outside world—while all that time it was literally right before their eyes.

The conclusion:

we seek Shirdi Sai Baba outside ourselves, forgetting that He is already within us.

Look into your heart—and there you will find Baba.

This is a small mystical parable about the search for God: a person travels far away, searching for a shrine, a sign, or a Teacher—and in the end discovers that what they were seeking had been beside them or within them all along.

I draw your attention to this Lila—the photograph was inside the book itself.

To be continued...
 

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It all happened in 1915, in May, in Shirdi. Rumalwala Baba was in Dwarakamai at the time, meditating on Sai Baba. The photographer unexpectedly took a picture of Baba and quickly left. According to these accounts, Baba was displeased that he had been photographed without permission. Two days later, the photographer returned and brought the developed photograph.

Professor Ganpatrao Narke, one of Sai Baba’s well-known devotees during his lifetime, was nearby at the time. Baba gave him the photograph, saying words that are rendered approximately as follows in the English account:

“The person who has the photograph, his calamities would vanish.”

A phrase is also given alongside it:

“Beda Paar Ho Gayega.”

So there is an interesting clarification here. It does not literally say, “whoever looks into the eyes of this photograph.” It says more broadly: the person who has this photograph will overcome their misfortunes / their troubles will go away.

The story involving Rumalwala Baba then becomes particularly unusual. He very much wanted to have such a photograph, but Baba gave it to Narke. Rumalwala went to lunch deeply upset. According to the account, when he reached into his pocket for money to pay, this particular photograph fell out of his own pocket. He took it as a direct gift from Sai Baba and a manifestation of his lila.

And here, in my view, is the most interesting part: this story is not simply about a “magic photograph.” In the Sai Baba tradition, a photograph becomes a mediator of presence. In other words, the paper itself is not considered the source of power; the point is that the image becomes a focal point through which a person directs their attention, faith, and inner connection toward Baba.

This is consistent with earlier accounts by Professor Harke himself. In materials based on the accounts of followers who knew him during his lifetime, he said that he kept an image of Sai Baba among the household shrines and worshipped it daily. He explicitly referred to Baba not merely as a holy man, but as a divine presence.

People describe receiving help with family matters, healing, resolving difficult circumstances, unusual dreams, and experiencing Baba’s presence before his image. Such stories were even published in materials of the official Shirdi Sai Baba Sansthan. For example, in one account, a woman began worshipping Baba’s photograph daily and associated the subsequent unexpected resolution of a serious family situation with his help. This is already a believer’s testimony, rather than a proven supernatural fact, but the tradition of such stories is indeed very extensive.

There is another important layer: Sai Baba, judging by traditional sources, did not always allow himself to be photographed. The same website contains a separate account of young people who wanted to take his picture but were unable to obtain permission. That is why devotees perceive the story of this particular photograph even more powerfully: first, the photographer took it against Baba’s wishes, and then Baba himself accepted the finished photograph and personally handed it to a man, saying that he had overcome his troubles.

The photograph could not be obtained simply because someone wanted it → Baba himself determines what happens to it → one person receives it from Baba’s hands → another passionately longs for it → and the photograph inexplicably ends up with him → decades later, other people search for it again → and discover it right beside them.

It is all the same theme: a person searches for an image, while Baba seems to decide for himself when that image should reveal itself to them.
 

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The phrase “Beda Paar Ho Gayega” is conversational Hindi written in Latin script.

In meaning:
  • beda — a calamity
  • paar ho gayega — “will cross over,” “will get through,” “will overcome”
At the same time, the spelling “Ho Gayega” looks like a colloquial/non-strict transliteration into Latin script. In a more standard form in Hindi, it would usually be closer to “Beda paar ho jayega”.


Word by word:
  • Beda / बेड़ा (beṛā) — literally “boat,” “raft.” But in the expression beda paar hona it is already an idiom: “to get out safely,” “to overcome a calamity,” “to reach safety.”
  • Paar / पार — “to the other side,” “across,” “beyond,” “crossing.”
  • Ho / हो — a form of the verb hona — “to be / become / happen.”
  • Jayega / जाएगा (jāyegā) — “will go,” “will become,” or “will happen” in the future tense; literally from jana — “to go.”

Quite literally, the construction comes out approximately as:

“The boat will cross over.”
That is: “The boat will cross to the other shore.”

But as an idiom, the meaning is different:

“Everything will turn out well,”
“He will overcome the difficulties,”
“He will get out of trouble.”

Therefore, beda paar ho jayega is a beautiful image: as if a person is in the turbulent river of life, yet their “boat” will ultimately reach the other shore.


According to Sai Sarovar, the story went as follows. After the episode in Shirdi, the photograph came into the possession of Rumalwala Baba. He took it to Indore and kept it in a niche in the wall. Years later, his visitor Shri Pathakji took the photograph in his hands. Rumalwala Baba became angry, but then effectively handed the photograph over to him, repeating that whoever kept and revered this photograph would receive help in overcoming misfortunes.

Then Pathakji passed it on to Gajananrao Krishnarao Nirakhe, who was called Bapu Saheb, through another devotee—Shri Upasani. Bapu Saheb put the photograph in a frame and, according to the account, wore it around his neck. This is an important detail: if it really was the same physical photograph, it must have been relatively small in size.

Then a very specific date appears: October 10–11, 1987, the All-India conference of Sai Baba devotees—Akhil Bhartiya Sai Sammilan—in Baroda. Bapu Saheb was present there and, according to the text, still had this photograph. It was then that he passed it on in connection with the book Sai Sarovar.

The 2008 article explicitly states that the book Sai Sarovar contained an “original photograph of Shirdi Sai Baba” on its first page, and that the author’s mother failed to notice the image on that page for months, even though she was looking for it everywhere. The family then made a copy of this image for the home altar, and later the author found the same photograph online and printed more copies.

If the account Sai Sarovar is accurate; the original photograph passed through the following chain:

photographer → Sai Baba → Narke / mysterious appearance at Rumalwala Baba → Pathakji → Bapu Saheb → connection with Sai Sarovar in 1987.
 

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I especially want to draw your attention to the fact that this particular photograph was originally taken without his permission.

In other words, he was not prepared for it.

In other words, he was photographed as he was.

I have told you many times about another saint — Devraha Baba.

I shared videos featuring him and wrote articles about him...

I even created a special meditation focused on him.

By the way, the video has hundreds of thousands of views:


So, this is what I’m getting at.

In the video where a correspondent approaches him, he himself says that his energy is too powerful and needs to be lowered.

That is precisely why everyone asks for his permission.
 

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Веретенников Сергей Веретенников Сергей , Цитата

ОМ Шанти, хочу выразить Вам Особую Признательность за всю информацию о Ширди Саи Бабе, и о Девраха Бабе ( и здесь, и на Сайте ТЙ). Такие ценные фото- и видео-материалы даете, и такие тонкие подробности Их Жизни-Присутствия на Земле, и с Вашими особыми пояснениями ( которые очень актуальны) и прямо "окунают" в атмосферу того "времени" и мест, где жили Эти Святые. Все откликается, и все очень "близко". Сердце Радеет и Состояние меняется уже просто от того, что обо всем этом читаешь, а уж еще и фотографии смотришь! ☀ Как раз в этот момент Радость ощущается не как "яркий подьем", а именно как " внутреннее тепло, интерес, вдохновение и желание сделать следующий шаг" ( Из Интенсива "Выход из зоны напряжения за 21 день", день 19).
Благодарю Вас ! 🙏💓
 
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Скоро будет сама фотография и очередное моё видео.

Со мной кстати пока делаю уже всякие чудеса происходят :)

Главным образом - особые состояния.

Что уже сигналит о том, что это должно было произойти.
 
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